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From the intricate designs and beautiful functionality of ancient astrolabes to the ornate craftsmanship of Renaissance telescopes, and the sleek modernism of personal cameras, the evolution of scientific instruments has provided a fascinating meeting point between aesthetic and functional precision through the ages.
Throughout history humanity has been fascinated with manifesting the divine in sculptural form to both pay homage to godly figures and to pass down the traditions, rituals, and narratives across different religious faiths. If this interpretation is correct, humans have been venerating religious sculpture for more than 20,000 years.
Askart.com If you are researching a painting, drawing, or sculpture (they do not have fine prints) Askart is a good place to look. Artnet.com As I recall, Artnet.com’s database of fine art auction sales was one of the first on the market to cover not only paintings, drawings, and sculpture, but also fine prints and multiples.
Energized to achieve a “beauty beyond visible reality,” the Nabis group of French artists challenged convention to create a new artistic vision, as they harnessed Paul Gauguin’s synthetism to envisage an exciting alternative that would usher in the age of modern art. And so Maillol exhibited with the group in 1895 and 1896 in Paris.
Some of the most celebrated of the American folk artists include: Shaker Furniture: Simplicity and Functionality Rare Shaker Red-Painted Pine and Figured Maple Two-Drawer Work Table, Probably New Hampshire, c. Sold for $15,000 USD via Sotheby’s (Jan 2019). Set of six ladderback dining chairs, mid 18th century.
Some of the most celebrated of the American folk artists include: Shaker Furniture: Simplicity and Functionality Rare Shaker Red-Painted Pine and Figured Maple Two-Drawer Work Table, Probably New Hampshire, c. Sold for $15,000 USD via Sotheby’s (Jan 2019). Set of six ladderback dining chairs, mid 18th century.
Gropius s idea was to bridge the gap between craftsmanship and the fine arts, and the Bauhaus taught students both theory and applied crafts, so that they were capable of creating objects that were both functional and aesthetically pleasing. Disappointed by the more traditional design teaching in Vienna, Breuer joined the Bauhaus in 1920.
Their functional simplicity gave carvers unlimited freedom to use their imaginations when making these pieces, and as such, the styles, subjects, and materials used differ widely, making them highly collectible. Lot 50 , his “Active Hybrid, Second Growth” welded bronze sculpture, is from his “Hybrid Figures” series, 1984-1993.
Rooted in the Bauhaus movement and Scandinavian simplicity, this aesthetic emphasized clean lines, functionality, and organic forms. Key characteristics of this design style include: Minimalism Simple yet functional pieces with little ornamentation. Organic Shapes Curved, flowing lines and geometric influences.
Sculptures crafted in the medium have showcased these aspects since bronzes development thousands of years ago. These works, which have endured over the ages and have been cast for reasons from royal to religious to revolutionary, continue to captivate contemporary artists and collectors.
Discovering the Bauhaus Gropius’s idea was to bridge the gap between craftsmanship and the fine arts, and the Bauhaus taught students both theory and applied crafts, so that pupils were capable of creating objects that were both functional and aesthetically pleasing. Image courtesy of Wikimedia Commons.
Rooted in the principles of modernism, the International Style came to prominence in the 1920s and 30s as a response to industrialization and the need for functional, efficient buildings. proved too radical for the age though as the next International Style American skyscraper wasnt built until after World War II.
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