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“The Destruction of the Bastille,” a remarkable drawing created at the onset of the French Revolution for George Washington, sold for an incredible final price of $1,996,000 – more than double its high estimate of $800,000! This extraordinary ink-wash drawing owes much of its significance to its remarkable provenance.
These trends are observed clearly in magazine displays, social media posts, and Pinterest, followed by changes in the direction of retail and auctionhouse sales. Collectors look for rarity, an object's provenance, and the desire to add intrigue to a room. Even the Victorian settees and chaise lounge are making a comeback.
While a CoA can be a valuable document, they are also a commonly forged document so we rely on further documentation of provenance – the paper trail of previous ownership or record of sale – and study of the artwork to prove authenticity. Similarly, auctionhouses are selective with the pieces they accept for auction.
Although each print from the same edition is initially sold for the same price, over time values can differ greatly on the secondary market depending on demand, rarity, condition, provenance and many other nuanced factors. Conversely, not all limited-edition prints of significant value bear the artist’s signature or edition number.
Although each print from the same edition is initially sold for the same price, over time values can differ greatly on the secondary market depending on demand, rarity, condition, provenance and many other nuanced factors. Conversely, not all limited-edition prints of significant value bear the artist’s signature or edition number.
If you did not acquire the artwork through a gallery and cannot find similar works online, you may need to take the work, or send photo’s, to an auctionhouse and tell them you are interested in selling the work. They gather information from over 979 auctionhouses from around the world.
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