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Office Hours Information from March 2025

International Society of Appraisers

As appraisers, we are market researchers. high end, branded, celebrity provenance) is going to sell at a high-end international auction house like Christie’s. A collection of unbranded jewelry that has no celebrity provenance may sell at a local or regional auction house. current asking prices).

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Bührle Foundation’s provenance research is inadequate, report finds

The Art Newspaper

The report by Raphael Gross calls for more research and details how Jewish owners are omitted from the published provenance

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Can You Believe What You Read in Vintage Jewelry Advertising?

WorthPoint

McClelland Barclay woman with fruit headdress brooch dating to 1942-1943, part of the last collection produced while he was serving in the U.S. The first thing that has been alluded to in jewelry books based on WWD research was that Barclay designed the jewelry, and Rice-Weiner & Co. Naval Reserve during World War II.

Jewelry 52
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Provenance Researcher

SPNHC

Smithsonian’s National Museum of Natural History [link] The Smithsonian’s National Museum of Natural History (NMNH) Office of the Registrar is seeking contract services for provenance research and coordination services to: 1) provide provenance research services to evaluate the prior acquisition of collections deemed by NMNH to be high priority (..)

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Provenance Research & Support Contract

SPNHC

National Museum of Natural History [link] The National Museum of Natural History and the National Collections Program, both part of the Smithsonian Institution, are seeking shared contract services.

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Documenting Your Art Collection

Fine Art Estates

Most Fine Art Insurance professionals will agree that the best way to ensure that an insured loss is settled quickly and fairly is by properly documenting your art collection. Available Cloud-Based Collections Programs: There are many cloud-based programs that will catalogue collection images and data.

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Nazi-loot panel set up by private Swiss collection to evaluate painting by Hodler

The Art Newspaper

The painting, purchased by the real estate magnate Bruno Stefanini in 1998, was once owned by a Jewish woman who fled Hitler’s Germany

Paintings 229